As a fugitive music in time, my concept
of painting is a stroke that evolves from
time. A performance of texture on surface,
that can be interrupted and reworked.
From the edges when emptiness reaches for
space, the artist accompanies it. In working,
he empties himself. He steps up to view,
withdraws to see. Creation in void saturates
fragments and brings back the fragility
of the image.
I paint in the horizontal, the painting
stands up all alone, it takes its position
all alone. I look at it from above, I bypass
it. I do not force. I always follow it.